The lands between Mesoamerica and the Central Andes are famed for the rich diversity of ancient cultures that inhabited them. Throughout this vast region, from about AD 700 until the sixteenth-century Spanish invasion, a rich and varied tradition of goldworking was practiced. The amount of gold produced and worn by native inhabitants was so great that Columbus dubbed the last New World shores he sailed as Costa Rica—the "Rich Coast."

Despite the long-recognized importance of the region in its contribution to Pre-Columbian culture, very few books are readily available, especially in English, on these lands of gold. Gold and Power in Ancient Costa Rica, Panama, and Colombia now fills that gap with eleven articles by leading scholars in the field. Issues of culture change, the nature of chiefdom societies, long-distance trade and transport, ideologies of value, and the technologies of goldworking are covered in these essays as are the role of metals as expressions and materializations of spiritual, political, and economic power. These topics are accompanied by new information on the role of stone statuary and lapidary work, craft and trade specialization, and many more topics, including a reevaluation of the concept of the "Intermediate Area."

Collectively, the volume provides a new perspective on the prehistory of these lands and includes articles by Latin American scholars whose writings have rarely been published in English.

The final installment in the definitive series of catalogues of the Robert Woods Bliss Collection, Pre-Columbian Art from Central America and Colombia at Dumbarton Oaks examines a comprehensive and expertly curated collection of jade and gold objects from Costa Rica, Panama, and Colombia. This lavish catalogue provides over two hundred detailed and illustrated descriptions of objects that span approximately two millennia. Illustrated in detail with hundreds of high-quality photographs in full color and with stunning clarity, these breathtaking works of art reveal the ingenuity, skill, and vision of Indigenous artists and artisans.

With a dozen accompanying chapters by thirty contributors from the United States, Europe, and Latin America, this landmark publication describes the objects in the context of a history of the collection, production techniques, technical analyses, iconographic interpretations, and evaluations of material from specific archaeological sites. Pre-Columbian Art from Central America and Colombia at Dumbarton Oaks is a major watershed in the archaeology of the Isthmo-Colombian Area, representing an essential contribution to scholarship on fascinating cultures from an area located between Mesoamerica and the Andes, with ties to the Antilles and Amazonia, in the center of the Americas.

Archaeologists, art historians, ethnohistorians, and ethnographers have long been captivated by the expressive material culture of the prehispanic indigenous peoples in the lands between Mesoamerica and the Andes. Interconnected communities of practice that were active from central Honduras in the north to coastal Ecuador in the south, with networks of interaction that included the Antilles and Amazonia, made this area essential for understanding long-term culture change.

Pre-Columbian Central America, Colombia, and Ecuador: Toward an Integrated Approach presents twenty chapters on current research in this central area of Latin America. Over two dozen specialists have contributed to this lavishly illustrated book, on topics ranging from historical and theoretical perspectives to analytical studies, reports on recent excavations, and evaluations of material such as ceramics, stone sculpture, gold artifacts, and ceremonial seats from various contexts in Honduras, Nicaragua, Costa Rica, Panama, Colombia, and Ecuador. Edited by Colin McEwan and John W. Hoopes, this book is an essential addition to the library of any scholar fascinated by the diverse indigenous peoples of the Americas.